The Beatles in October: Harvest Home

“Come ye thankful people, come

Raise a song of harvest home,

All is safely gathered in,

Ere the winter storms begin.”

 

In 1844, songwriter Henry Alford penned these grateful words, as the dog days of summer curled up contentedly, basking in the beauty of autumn. With winter fast approaching, Alford urged us to seize these brilliant, multi-colored days as celebrations of the fruits of our spring and summer labors. And in their Octobers together, The Beatles did just that! They used October as a month to relax a bit, accept great honors, and take stock of all they’d accomplished before the demanding days of winter were upon them. Let’s share their joys:

 

October 1961 – Enjoying the money that John’s Auntie “Mater” (Elizabeth) had gifted John for his twenty-first birthday, John and Paul (without saying a word to Pete and George) hied away to Paris for a 14-day spontaneous holiday. Stu (still in Hamburg) had hinted broadly that he would meet them there, and that was all the impetus John needed to break away to the Continent. Unfortunately, Stu found himself too ill to travel, and John was deeply, bitterly disappointed. However, their friend, Jürgen Vollmer, met Lennon and McCartney in “The City of Lights,” and the trio partied as heavily as a 21st birthday deserved. Somewhere amidst the carousing, Volmer influenced the two Beatles to imitate his hairstyle, a rather Edwardian “bowl” cut. Then, during the return trip to Liverpool, the duo stopped off at Anello and Davide in Charing Cross, London, to purchase Cuban-heeled, pointed-toe boots. Returning just in time for a gig at The Casbah, the relaxed John and Paul refused to be shamed for their outing and introduced the others to their innovative, new look. Within days, George wore the “Beatle cut” as well…and both Pete and George parted with the last of their cash for those trendy leather boots. Refreshed and refurbished, The Beatles headed into winter.

 

October 1963 – Sunday Night at the London Palladium was England’s Ed Sullivan Show. The ATV Television program was the British litmus test, indicating that an entertainer had finally “made the grade.” Growing up, Ringo had heard his mother’s best friend, Annie Maguire, repeat over and over, “Play the Palladium…and die!” The drummer had always seen it as his country’s highest achievement award. Now, he and his mates were about to step onto those legendary boards! As he vomited into a backstage bucket, Ringo thought of all the stars he’d seen standing right where he was about to perform: Judy Garland, Nat King Cole, Elizabeth Taylor, Bob Hope, and Cliff Richard and The Shadows. This magical moment was, for the boy from the Dingle, the greatest “welcome to the big-time” party one could have. Though he was slated to play The Royal Command Performance in only three weeks, for Richard Starkey, this was the “toppermost of the poppermost.” Tonight, his labors had finally reaped reward.

 

October 1965 – Decked in morning-coat finery, John, Paul, George, and Ringo were off to Buckingham Palace — along with 178 other nominees — to receive the Most Excellent Order of the British Empire, the MBE. Their car cautiously navigated through the largest crowd ever assembled for any royal occasion (including the Queen’s coronation) towards the formal and highly-choreographed event. John was so overwhelmed by the experience that when the Queen asked about The Beatles’ current endeavors, he couldn’t find an answer and blathered that they’d been off on holiday. Not until the four boys arrived in Saville Theatre, where their press conference was to take place, did the four musicians find their voices. Years later, John would avow that he never desired the MBE and had only accepted it because it was “in our best interests,” but on this bright October morning, The Beatles were tongue-tied at the great honor and gratified for the recognition of their talent and hard work.

 

October 1967 – With his work completed on Dick Lester’s latest film, “Private Gripweed” (a.k.a. John Lennon), along with his three mates, The Beatles — and their lovely ladies — strode into the star-studded London Premiere of “How I Won the War.” The film was one of John’s first solo sorties from “the collective,” a practice that all four Beatles would increasingly enjoy, over the next two years. John was quite nervous about both critical and public reaction to the work. But by the time that the Fab Four Couples viewed the film and headed to their favorite West End clubs, the group was awash in giggles and grins. Riding in a vintage Hispano-Suiza, they were ready to party as only Liverpudlians can. They fêted a project well-done and looked ahead to the bright lights that would continue to shine on.

 

The Beatles always lived up to the weathered maxim that “a job worth doing is worth doing well.”  Indeed, they worked as did no other group in the industry. But the boys played hard, too. In the 1970s, John famously quipped, “Time you enjoyed wasting was not wasted.” And in their Octobers together, as they harvested laurels from their endeavors, The Beatles saw not a thing amiss with celebrating and pausing, now and again, merely to have fun.

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The Beatles in September

In 1961, Hayley Mills starred in the film, “The Parent Trap,” whose theme song employed a catch-phrase, soon to be echoed by our own Fab Four, in 1963.  In the Disney film, twin daughters (both played by Mills) scheme to see that their estranged parents will try to “get together, yeah, yeah, yeah!”. Of course, by the end of that production, the twins (and the clever screenwriters) achieved a happy ending. The parents were remarried; the girls, reunited, and the phrase “yeah, yeah, yeah” was fondly ingrained in our memories. But all “triple-yeahs” aside, there is a more important link between The Beatles and “The Parent Trap” theme song…that being, of course, togetherness.

 

In The Anthology, John Lennon wrote: “Once upon a time, there were three little boys called John, Paul, and George, by name christened. They decided to get together, because they were the getting together type. When they were all together, they wondered what for, after all, what for? So, all of a sudden, they all got guitars and formed a noise.”

 

Indeed, being together was the very essence of The Beatles. And each September that they experienced as a group found them reuniting to tour, to record, “to form a noise,” and to have fun doing it. Let’s look back on some of those precious moments.

 

September 1960 – The Beatles in Hamburg for the first time

 

After hounding Liverpool’s charismatic impresario and Jacaranda Coffee House owner, Allan Williams, to get them a gig in Hamburg, Germany, The Beatles were finally on their way to the port city’s bright lights. Unbeknownst to Williams, his boys were booked on “the dark end of the Reeperbahn” in a seedy strip club called The Indra. But in only weeks, the hardworking Beatles had transformed the vacant dive into a hot spot, and they were promoted to the burgeoning Kaiserkeller. Sharing the boards in “the ’Keller” with Rory Storm and the Hurricanes (and their suave, gregarious drummer, Ringo Starr), The Beatles quickly adopted a vast catalogue of new music and learned how to mach shau…put on a show! By the time John, Paul, George, and Pete returned Merseyside in the winter of 1960, they were a highly-honed stage band. Together, they had become, as Neil Aspinall would call soon them, The Fabulous Beatles.

 

September 1962 – The Beatles in EMI recording “Love Me Do”

 

Having very recently acquired cool Ringo Starr as their new drummer, September 1962 found The Beatles hard at work in London’s EMI Studios, trying to earn “the break of a lifetime.” They had traveled to “The Smoke” (London) to record their first real record. And although accomplished producer, George Martin, wanted the skinny Liverpool boys to perform the Tin Pan Alley song, “How Do You Do It?”, The Beatles were dead set on “Love Me Do.” Assuring Martin that they “could not return to Liverpool” having recorded “How Do You Do It?” without being laughed off the quay, The Beatles stuck to their guns. However, the original number — that featured John Lennon on mouth organ and lyrics — was tricky. “You simply can’t play the harmonica and sing as well, John,” Martin had objected. “It will come out as “Love Me…Wahhh.” So, reluctantly, Paul McCartney assumed the lead vocal role. And “ta-dah!!!” Only four weeks later, “Love Me Do” rocketed to Number 17! Not bad for a first-time session with a new drummer, a new producer, and a new studio. Getting together equaled a brand-new sound!

 

September 1964 – First North American Tour

 

Chuck Gunderson in Some Fun Tonight: The Backstage Story of How The Beatles Rocked America: The Historic Tours of 1964-1966 said it best: On the 1964 North American Tour “…The Beatles would play a staggering thirty-two shows in twenty-six venues in twenty-four cities in just thirty-three days.” (p. 14) Talk about togetherness! And ah, the memories they made! They sang goose-bumpy harmony in the shimmering amphitheater of the Hollywood Bowl. They echoed over the rugged landscape around Red Rocks. They brought mayhem to Montreal and the New Orleans City Park. They diverted around Hurricane Dora and discovered new friends down in Key West. And unexpectedly, they gave Kansas City a raucous medley that furnished the “two extra songs” Charlie O. Finley craved. Gunderson writes, “No musical act before or since will ever rival The Beatles on their incredible groundbreaking tour of 1964. John Lennon, Paul McCartney, George Harrison, and Ringo Starr not only would leave an indelible impression on their fans in the United States and Canada, but would leave the fans hungering for more in 1965.” (p. 14) And they did it all, together.

 

September 1967 – The Making of Magical Mystery Tour

 

Magical Mystery Tour was, for John, Paul, George, and Ringo, a crucial restorative process. In the aftermath of Brian Epstein’s tragic death, it gave them “a way forward.” It was a project to bind them —one to another — to employ their talents and creativity, and to keep them close together, both physically and in spirit. According to our Beatles Guru, Mark Lewisohn in The Complete Beatles Chronicle, the Magical Mystery Tour recording sessions commenced on 5 September with the 7.00 p.m. – 1.00 a.m. EMI Studio One recording of “John’s glorious ‘I Am the Walrus’” (p. 261). And the grand filming event began on 11 September and concluded 24 Sept 1967.  Throughout this grief-laden month, the necessity of rising each morning and being productive each day, whilst surrounded by dear friends (Freda Kelly, Neil and Mal, Victor Spinetti, etc.) helped to assuage The Beatles’ pain and to focus their energies on what would be rather than what had been.

 

No clearer example of “We’re Better Together” can be given to us than The Beatles in their shared Septembers. Despite worldwide pandemics, economic crises, and fiery political divisions, we need to reach out to one another and seek bonds not barriers. September is a month for finding our own harmony, our own new horizons, and our own way forward. Together the boys always found a way to shine on…and so can we.

 

To hear the adorable song “Let’s Get Together, Yeah, Yeah, Yeah!” performed by Haley Mills and her double, Haley Mills for “The Parent Trap,” go here.

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What The Beatles Found in January

::: By Jude Southerland Kessler :::

 

Ever kept a five-year diary or calendar? No? Well, if you’d like to (as we used to say in The Sixties) “find yourself,” you might try it. The practice is highly touted by self-help experts and counselors because it helps to reveal trends and patterns we display seasonally, monthly, and even at similar times of the day. Journaling over a decade reveals even more about how we react to light, weather, seasonal stresses, and yearly events. Studying a record of what we do, year-in-and-year-out, highlights so much about our personalities.

 

Now, The Beatles didn’t journal…well, not that we know of…yet. But their day-by-day actions from 1964-1969 were highly chronicled. And studying their undertakings, month-by-month, is not only interesting, it’s informative. So, throughout 2020, the Fest Blog would like to take you on a month-by-month glance back at some of the most outstanding events of each month during The Beatles’ time together, beginning, of course, with some of The Beatles’ Januarys together.

 

January 1964…On 16 January, The Beatles endured a rather rough opening night at the Olympia outside Paris. Their amplification equipment failed three times! The audience, comprised mostly of young men (since teenage girls would have required chaperones to attend an evening performance away from home), was yawningly unimpressed and disappointingly unresponsive. John, Paul, George, and Ringo trudged “home” to the Hotel Georges Cinque in an umber mood. But waiting for them was a change of disposition: Brian held a telegram announcing that in the week ahead, “I Want to Hold Your Hand” would chart at Number 1 on the U.S. Cashbook hit list! Utterly phenomenal! And just in the nick of time, too: The Beatles were booked to fly into New York City on 7 February for a three-week tour. Cheering and cavorting, the elated Liverpool lads were filled with hope that soon they’d claim “the toppermost of the poppermost.”

 

[Note: A long-held legend states that The Beatles had vowed not to appear in the U.S. unless they had secured a Number One, and this good news gave them the “green light” to journey on to The States. Well, the truth is, The Beatles were already booked to appear in America on three Ed Sullivan shows, whether or not the Number 1 slot was attainable. Brian had arranged the trip back in autumn of 1963. So, the Paris telegram was truly a bit of happy serendipity! Good fortune to begin the year.]

 

January 1965 – John and Cynthia, George Martin and his girlfriend, Judy Lockhart-Smith, flew to St. Moritz, Switzerland for a few days of rest and relaxation, following the close of “Another Beatles Christmas Show” in the Hammersmith Odeon, London. One side goal of the Swiss trek was to give John an opportunity to learn to ski, since in just a few weeks, he would be filming a ski scene for The Beatles’ upcoming United Artists film. All four travelers were excited to hit the slopes with their private ski instructors. But on first night in the hotel, John and George were entertaining the ladies with mad antics, when George fell and broke his foot. For the producer, there would be no happy jaunts on the picturesque Alpine slopes. Not this trip.

 

The next evening, to amuse Martin and draw him out of the doldrums, John performed two new songs…songs that John had composed for the new film (eventually to be known as “Help!”). The first number was haunting and lovely, but because it was clearly a song about an affair John had had, Martin was unnerved. He felt awful that Cynthia was sitting only a few feet away, chatting with Judy. So, he urged John along to the next composition. This one was fast-paced — a hard-hitter about a girl who was leaving the singer flat. “Ticket to Ride” was, even in its early, unplugged version, incredible. Later, John would call the number “the first heavy song The Beatles ever did.” In fact, he said it was “heavy before there even was heavy!” It would be released on 9 April in the U.K. and go to Number 1 only five days later. This January 1965 composition, born of the desire for greater experimentation and variety in The Beatles’ musical creations, would take them in a new direction.

 

January 1966 – John had been married since August of 1962, and Ringo since January of 1965. But Paul and George remained eligible bachelors until January of 1966 when George and Patti Boyd said their “I do’s” at the Epsom Register Office in Surrey. In a very brief, 7-minute ceremony, the couple (who had dated since they met on the set of “A Hard Day’s Night” in 1964) became Mr. and Mrs. George Harrison. And full of hope, a new year and a new life began for The Beatle as well as his gorgeous new bride, a former model.

 

January 1968 – The end of 1967 had left The Beatles deeply despondent. They were mired in Apple’s machinations, and “Magical Mystery Tour” — airing on BBC1 on Boxing Day, 1967 — had disappointed both the public and the press. But in January, George Harrison, who had been in India, working on the music for the film, “Wonderwall,” came home filled with a serene spiritual peace. Certain that he could connect his mates to this new font of inspiration as well, George began to coax them to “at least listen” to “the truth” he had found. Already, seeds were being planted for The Beatles’ February 1968 sojourn to Rishikesh where, in the Ashram of the Maharishi Mahesh Yogi, the four boys would refresh their weary souls, write most of “The White Album,” and return home with renewed energy and creativity for the studio. George had given them hope by reminding them that, as always, the world could not break their spirit.

 

And so, looking back over the lads’ myriad Januarys together, we find that The Beatles are not so different from you and me.

 

Hope visited The Fab Four regularly in January, as it comes to us all: a flicker in the dark of winter, a soft whisper that no matter how we’ve failed in the year before, we have a chance to try again: a new world to conquer, a new marriage to tend, a new song to sing, and a newness of soul to seek. Over and over, The Beatles kicked off the year, as we must, in a spirit of optimism — believing that life is doable, if only we can pick ourselves up and start again. They also began in expectation, claiming the year ahead as their own and pledging the determination and hard work to make it so. And so, my dear Fest family…so can we.


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

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Today in Beatles History: Beatles hold Top Five Spots on the Charts


On today’s date in 1964, The Beatles made Billboard history, when their songs held the top five spots on the charts. It looked like this:
 
No. 1: “Can’t Buy Me Love”
 
No. 2: “Twist and Shout”
 
No. 3: “She Loves You”
 
No. 4: “I Want To Hold Your Hand”
 
No. 5: “Please Please Me”
 
The Beatles had seven other songs in the Top 100 that week and also had the top two Albums in the United States: Meet The Beatles and Introducing The Beatles.
 
As Fest founder Mark Lapidos points out:
 
“The Beatles had total airwave saturation in the spring of 1964, with about every other song a Beatles song on the ‘Top 40′ radio stations. For those of us baby boomers who lived through that most exciting time in music history, we will never forget it. It is life affirming to know the music is as vital today as it was 50 years ago and that new generations of fans are still discovering their magical music.”
 
While remembering just how remarkable the Beatles’ accomplishments were in 1964, let’s take a look at videos of some of the best live versions of the five songs that made history.
 
Can’t Buy Me Love:
 

 
Twist and Shout:
 

 
She Loves You:
 

 
I Want To Hold Your Hand:
 

 
Please Please Me:
 

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Today In Beatles History: “Can’t Buy Me Love/You Can’t Do That” Certified Gold

On today’s date in 1964, with Beatlemania in full swing, the Beatles released “Can’t Buy Me Love” as a single with “You Can’t Do That” as the B side.
 
In an example of how hot the Beatles were at the time, the single was certified gold the same day it was released after advance sales in the United States exceeded 2.1 million.
 
A few weeks later, the Beatles made Billboard history, when their songs held the top 5 slots on the charts. It looked like this:
 
No. 1: “Can’t Buy Me Love”

No. 2: “Twist and Shout”

No. 3: “She Loves You”

No. 4: “I Want To Hold Your Hand”

No. 5: “Please Please Me”
 
While remembering just how remarkable the Beatles’ accomplishments were in 1964, let’s take a look at videos of some of the best live versions of the five songs that made history.
 
Can’t Buy Me Love:
 

 
Twist and Shout:
 

 
She Loves You:
 

 
I Want To Hold Your Hand:
 

 
Please Please Me:
 

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The Beatles Perform All You Need Is Love Live to 400 Million, 6/25/67

June 25, 1967 – This is one of those few seminal days in world history. We all take it for granted now that watching news or events live from any corner of the planet is not an issue. We can even Skype to anyone, anywhere! But on this date in 1967, the first ever live TV show, called Our World, beamed around the globe. Dozens of countries were invited to feature something from their culture to share. The U.K., of course, asked The Beatles to represent their country. Now this was only three weeks after Sgt. Pepper was released, so they had many new songs to choose from. But that wasn’t The Beatles style. They wanted to perform something BRAND NEW. So John either had just written this song or wrote it for the occasion, but it became an anthem for that summer and an anthem for all time – All You Need Is Love. Sitting in the studio were Mick Jagger, Keith Richards, Keith Moon, Graham Nash, Eric Clapton, Mike McCartney, Pattie Harrison, Jane Asher, Marianne Faithfull, and others mostly visible to the camera and with a full orchestra. Even though every one was dressed in bright colors, the show was broadcast in black and white. In The Beatles Anthology DVD Set, the full color version is shown in its entirety. Go watch it today. It was very special, indeed!

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